Currently, she lives and works in between Berlin and Tehran. Mohammad’s multidisciplinary practice includes multimedia installation, film, and artistic research in archives. With a particular focus on the socio-political history of Iran, she brings together elements of documentary and fiction to examine the remnants of lost, ignored, and abandoned narratives. As a result, her work creates relations via site-specific multi-channel installations conceived as a spatial instrument for scrutinizing the issues pertinent to Iranian political history. She tries to embody the latent promises of strategic approaches to politics — mainly the muted archives of various social movements in Iran —to think through the history of the present and its attendant possibilities for multiple forms of transforming the future.